La gestión de la comunicación corporativa en los clubes profesionales en España

Authors

  • Fernando Olabe

DOI:

https://doi.org/10.15847/obsOBS332009269

Keywords:

communication

Abstract

La gestión de la imagen corporativa de los clubes de fútbol en España ha adquirido en la última década un impulso inusitado gracias a la integración en la estructura organizativa de estas instituciones de los departamentos de Comunicación, en muchos casos como complemento del área de Markéting, y en otros como departamento integrador de todo el mix de la comunicación. El objetivo de este estudio es presentar una descripción de las actuaciones comunicativas de estas entidades deportivas en las dos categorías de la Liga de Fútbol Profesional, constituyendo un mapa actualizado de la estructura y funcionamiento de estos departamentos. Desde una perspectiva valorativa, y de acuerdo con los diferentes modelos que plantea la literatura académica sobre la gestión comunicativa de las organizaciones, de la investigación se deriva que los 42 clubes del campeonato español integrados en la Liga de Fútbol Profesional, aunque han apostado por profesionalizar la gestión de su imagen corporativa y han configurado departamentos específicos, siguen, en su mayoría, apostando por un modelo de Relaciones Públicas en el que prima la publicity, descartando, por falta de recursos o por desconocimiento, otras actuaciones que permitan una gestión integral de la comunicación. Palabras clave: imagen corporativa, comunicación, gestión integral

Downloads

Published

2009-11-06

How to Cite

Olabe, F. (2009). La gestión de la comunicación corporativa en los clubes profesionales en España. Observatorio (OBS*), 3(3). https://doi.org/10.15847/obsOBS332009269

Issue

Vol. 3 No. 3 (2009)

Section

Articles

License

Observatorio (OBS*) has an academic journal profile. As such, it is dedicated to the open exchange of its contents, and freely available to individuals and institutions without charge or formal permission. Copies of this journal or articles in this journal may be distributed for research or educational purposes free of charge and without permission. Authors will not be charged for publication or submission to this journal. Authors who publish in Observatorio (OBS*) will release their contributions under the Creative Commons Attribution-NonCommercial-2.0 generic. This licence allows anyone to copy and distribute the article for non-commercial purposes provided that appropriate attribution is given - being the author the copyright holder. This journal utilizes the LOCKSS system to create a distributed archiving system among participating libraries and permits those libraries to create permanent archives of the journal for purposes of preservation and restoration. The publisher perpetually authorizes participants in the LOCKSS system to archive and restore our publication through the LOCKSS System for the benefit of all LOCKSS System participants. Specifically participating libraries may: • Collect and preserve currently accessible materials; • Use material consistent with original license terms; • Provide copies to other LOCKSS appliances for purposes of audit and repair. Fair use of a copyrighted work, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include: 1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2. the nature of the copyrighted work; 3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; & 4. the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. In accord with these provisions, the OBS journal believes in the vigorous assertion and defense of Fair Use by scholars engaged in academic research, teaching and non-commercial publishing. Thus, we view the inclusion of “quotations” from existing print, visual, audio and audio-visual texts to be appropriate examples of Fair Use, as are reproductions of visual images for the purpose of scholarly analysis. We encourage authors to obtain appropriate permissions to use materials originally produced by others, but do not require such permissions as long as the usage of such materials falls within the boundaries of Fair Use.

Similar Articles

<< < 2 3 4 5 6 7 8 9 > >> 

You may also start an advanced similarity search for this article.