Dinâmicas de circulação de conteúdo (des)informativo sobre a COVID-19 no WhatsApp, nos media e nas redes sociais online.

Authors

DOI:

https://doi.org/10.15847/obsOBS0020211926

Keywords:

COVID-19, pandemia, desinformação, WhatsApp, redes sociais online,

Abstract

A pandemia provocada pela COVID-19 trouxe para um lugar de destaque a desinformação em saúde, quer ao nível direto do seu impacto e à perda de vidas humanas, quer na consciencialização das populações acerca da sua existência e da sua perigosidade. Um ano transcorrido, analisam-se comparativamente dois momentos distintos com divulgação viral de conteúdo desinformativo relacionado com a COVID-19 em Portugal: um no início da pandemia, em março de 2020, e outro mais recente, em fevereiro de 2021. Em ambos os momentos, conteúdos informativos gerados no WhatsApp foram partilhados em redes abertas, como o Facebook e o Twitter e chegaram à agenda dos media. O que nos leva à pergunta de partida: “Como é que evolui a reação dos utilizadores e dos stakeholders, nesses dois momentos, perante desinformação com origem no Whatsapp?” Procuramos identificar diferenças nos processos de divulgação e partilha de conteúdo desinformativo e nas reações dos utilizadores e stakeholders envolvidos, direta ou indiretamente, nos mesmos. A principal conclusão é que o WhatsApp permanece a plataforma de divulgação privilegiada de conteúdo desinformativo da COVID-19 em Portugal, com um evidente desenvolvimento da consciencialização e envolvimento da sociedade civil no combate da mesma.

Downloads

Published

2021-05-04

How to Cite

Moreno, J., Narciso, I., & Sepúlveda, R. (2021). Dinâmicas de circulação de conteúdo (des)informativo sobre a COVID-19 no WhatsApp, nos media e nas redes sociais online. Observatorio (OBS*). https://doi.org/10.15847/obsOBS0020211926

Issue

Circum-navegando as repercussões socio-mediáticas do contexto pandémico

Section

Articles

License

Observatorio (OBS*) has an academic journal profile. As such, it is dedicated to the open exchange of its contents, and freely available to individuals and institutions without charge or formal permission. Copies of this journal or articles in this journal may be distributed for research or educational purposes free of charge and without permission. Authors will not be charged for publication or submission to this journal. Authors who publish in Observatorio (OBS*) will release their contributions under the Creative Commons Attribution-NonCommercial-2.0 generic. This licence allows anyone to copy and distribute the article for non-commercial purposes provided that appropriate attribution is given - being the author the copyright holder. This journal utilizes the LOCKSS system to create a distributed archiving system among participating libraries and permits those libraries to create permanent archives of the journal for purposes of preservation and restoration. The publisher perpetually authorizes participants in the LOCKSS system to archive and restore our publication through the LOCKSS System for the benefit of all LOCKSS System participants. Specifically participating libraries may: • Collect and preserve currently accessible materials; • Use material consistent with original license terms; • Provide copies to other LOCKSS appliances for purposes of audit and repair. Fair use of a copyrighted work, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include: 1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2. the nature of the copyrighted work; 3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; & 4. the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. In accord with these provisions, the OBS journal believes in the vigorous assertion and defense of Fair Use by scholars engaged in academic research, teaching and non-commercial publishing. Thus, we view the inclusion of “quotations” from existing print, visual, audio and audio-visual texts to be appropriate examples of Fair Use, as are reproductions of visual images for the purpose of scholarly analysis. We encourage authors to obtain appropriate permissions to use materials originally produced by others, but do not require such permissions as long as the usage of such materials falls within the boundaries of Fair Use.