Las miradas turbadoras: La obra de la fotógrafa Julia Margaret Cameron en el marco de la Historia de la Comunicación y de los Estudios de Género

Authors

  • María del Mar Ramírez Alvarado University of Seville, Spain

DOI:

https://doi.org/10.15847/obsOBS1012016859

Keywords:

Historia de la comunicación, fotografía, imagen, retratos fotográficos, calotipos, Julia Margaret Cameron / History of communication, photography, image, photographic portraits, calotypes, Julia Margaret Cameron.

Abstract

El presente artículo tiene un doble objetivo. Por una parte se inscribe en la línea de los estudios de género que pretenden reivindicar las figuras de mujeres cuyas aportaciones en distintos terrenos del conocimiento han sido olvidadas o minimizadas tras la idea predominante de la genialidad como atributo masculino. En segundo lugar, busca profundizar en la Historia de la Comunicación rescatando las aportaciones de la fotógrafa inglesa Julia Margaret Cameron (1815-1879). Para ello se ha recurrido al análisis de fuentes directas como las fotografías hechas por la autora, así como al análisis de su autobiografía The annals of my glass house y a la revisión de investigaciones acerca de su trabajo. Las conclusiones demuestran que a pesar de la infravaloración profesional de la que fue objeto, Cameron llevó a cabo un trabajo fotográfico creativo y de sensibilidad artística, adelantándose en ocasiones a su tiempo.

Author Biography

María del Mar Ramírez Alvarado, University of Seville, Spain

PH.D in Sciences of Information. Tenured Lecturer, Department of Audiovisual Communication, Advertising, and Literature, Faculty of Communication, University of Seville (Spain). Dean.

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Published

2016-03-01

How to Cite

Ramírez Alvarado, M. del M. (2016). Las miradas turbadoras: La obra de la fotógrafa Julia Margaret Cameron en el marco de la Historia de la Comunicación y de los Estudios de Género. Observatorio (OBS*), 10(1). https://doi.org/10.15847/obsOBS1012016859

Issue

Vol. 10 No. 1 (2016)

Section

Articles

License

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