La representación de la migración y la figura del Otro en el cine español en la película Poniente (Chus Gutiérrez, 2002)

Authors

  • Nekane Parejo Universidad de Málaga

DOI:

https://doi.org/10.15847/obsOBS822014742

Keywords:

Spanish cinema, migration, emigration, otherness, Poniente

Abstract

Las representaciones de la figura del inmigrante en el cine español habían sido esporádicas hasta el estreno de Las cartas de Alou (Montxo Armendariz, 1990) donde se le concede un papel protagonista. A partir de ahí el cine migratorio español cuenta con una serie de lugares comunes como la inestabilidad laboral, la clandestinidad, la inadaptación, el racismo, etc., que van construyendo el personaje del Otro. Estos aspectos no son nuevos, basta recordar las imágenes cinematográficas de la emigración española durante el franquismo. Tras un recorrido por las películas que configuran este imaginario se plantean dos cuestiones desde el ámbito cinematográfico: como las nuevas producciones contemplan una mayor variedad y complejidad en las relaciones entre las cada vez más diversas tipologías de pobladores y qué ocurre cuando el país de llegada, España, fue durante décadas el punto de salida de emigrantes. Para dar respuesta a estos interrogantes nos centraremos en la película Poniente (Chus Gutiérrez, 2002) y en las formulas que señala Eric Landowski para relacionarse con el Otro.

Author Biography

Nekane Parejo, Universidad de Málaga

Profesora Titular de la Universidad de Málaga. Departamento de Comunicación Audiovisual y Publicidad

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Published

2014-06-03

How to Cite

Parejo, N. (2014). La representación de la migración y la figura del Otro en el cine español en la película Poniente (Chus Gutiérrez, 2002). Observatorio (OBS*), 8(2). https://doi.org/10.15847/obsOBS822014742

Issue

Vol. 8 No. 2 (2014)

Section

Articles

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