Aportaciones de Roberto Rossellini al discurso crítico sobre el neorrealismo italiano

Authors

  • María Noguera School of Communication

DOI:

https://doi.org/10.15847/obsOBS732013674

Keywords:

Italian Neorealism, Roberto Rossellini, War Trilogy, Image Poetic

Abstract

Entre las corrientes estéticas que se han sucedido desde los inicios del cine hasta hoy, el neorrealismo italiano ha sido una de la que más esfuerzos ha dedicado a recuperar esa aspiración primera del arte fílmico que consiste en representar la realidad. A propósito de Roma città aperta, la película de Roberto Rossellini que en 1945 inauguró la escuela neorrealista, Ángel Quintana ha explicado que “su intención fue recuperar la vocación original del cine, es decir, el momento mágico en el que los espectadores se sorprendieron al ver en una pantalla el movimiento de las hojas de los árboles”. Si bien este movimiento de la posguerra italiana carece de un corpus teórico convencional, la defensa a ultranza del neorrealismo por parte del crítico francés André Bazin ha pasado a la historia como la visión canónica de esta corriente. El objetivo de este artículo consiste en describir la poética neorrealista desde la perspectiva artística de Rossellini, quizá el director más emblemático de esta tendencia cinematográfica. A través de sus declaraciones en conferencias y entrevistas, que huyen de lo especulativo en beneficio de lo expresivo, y a la luz de su denominada trilogía neorrealista –Roma, città aperta, Paisà y Germania, anno zero–, se pretende ahondar en su enfoque sobre el neorrealismo.

Author Biography

María Noguera, School of Communication

Department of Film, TV & Digital Media Assistant Professor Doctor in Film History and Film Criticism

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Published

2013-09-17

How to Cite

Noguera, M. (2013). Aportaciones de Roberto Rossellini al discurso crítico sobre el neorrealismo italiano. Observatorio (OBS*), 7(3). https://doi.org/10.15847/obsOBS732013674

Issue

Vol. 7 No. 3 (2013)

Section

Articles

License

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