Meios, audiências e migrações: uma Revisão Sistemática da Literatura

Authors

DOI:

https://doi.org/10.15847/obsOBS18220242346

Abstract

O interesse da pesquisa de mídia, em especial os estudos de audiência, por questões étnicas e raciais tem início particularmente a partir dos anos 1990. Desde então, um vasto arcabouço conceitual, informado principalmente pelos estudos da diáspora, passou a incorporar os protocolos de pesquisa da área tornando-se fundamental para compreender diversos aspectos atravessados por processos transnacionais. Com o objetivo de mapear estudos que, ao longo das últimas décadas, propuseram um exame empírico das audiências com foco em pessoas e grupos migrantes, o presente artigo procura entender como estes trabalhos foram desenvolvidos e quais as suas principais características e interesses. O presente texto relata os resultados de uma revisão sistemática da literatura cujos registros recuperados compreendem artigos publicados em periódicos com revisão por pares e indexados nas bases de dados Scopus, Web of Science e SciELO até janeiro de 2023. A partir das informações extraídas destas bases e da análise de conteúdo do texto completo, esta revisão identifica as principais características dos estudos incluídos, como datas de publicação, autores, periódicos, opções metodológicas, objetos, enfoques e abordagem da recepção, aspectos regionais e as principais referências e fenômenos analisados.

Author Biography

Bruno Santos Nascimento Dias, Universidade de Coimbra

PhD student in Communication Sciences at the University of Coimbra (Portugal), Master in Communication with a Mention in Media Reception Studies at Simón Bolívar Andean University, Ecuador. Graduated in Social Communication - Journalism from Universidade Federal Fluminense (Brazil) specialized in Business Marketing from the same university. Integrates the Yllanay communication research center, associated with the AMLAT Network (Thematic Network for Scientific Cooperation, Communication, Citizenship, Education and Integration for Latin America).

Downloads

Published

2024-06-26

How to Cite

Dias, B. S. N. (2024). Meios, audiências e migrações: uma Revisão Sistemática da Literatura. Observatorio (OBS*), 18(2). https://doi.org/10.15847/obsOBS18220242346

Issue

Vol. 18 No. 2 (2024)

Section

Articles

License

Copyright (c) 2024 Bruno Santos Nascimento Dias Observatorio (OBS*) has an academic journal profile. As such, it is dedicated to the open exchange of its contents, and freely available to individuals and institutions without charge or formal permission. Copies of this journal or articles in this journal may be distributed for research or educational purposes free of charge and without permission. Authors will not be charged for publication or submission to this journal. Authors who publish in Observatorio (OBS*) will release their contributions under the Creative Commons Attribution-NonCommercial-2.0 generic. This licence allows anyone to copy and distribute the article for non-commercial purposes provided that appropriate attribution is given - being the author the copyright holder. This journal utilizes the LOCKSS system to create a distributed archiving system among participating libraries and permits those libraries to create permanent archives of the journal for purposes of preservation and restoration. The publisher perpetually authorizes participants in the LOCKSS system to archive and restore our publication through the LOCKSS System for the benefit of all LOCKSS System participants. Specifically participating libraries may: • Collect and preserve currently accessible materials; • Use material consistent with original license terms; • Provide copies to other LOCKSS appliances for purposes of audit and repair. Fair use of a copyrighted work, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include: 1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2. the nature of the copyrighted work; 3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; & 4. the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. In accord with these provisions, the OBS journal believes in the vigorous assertion and defense of Fair Use by scholars engaged in academic research, teaching and non-commercial publishing. Thus, we view the inclusion of “quotations” from existing print, visual, audio and audio-visual texts to be appropriate examples of Fair Use, as are reproductions of visual images for the purpose of scholarly analysis. We encourage authors to obtain appropriate permissions to use materials originally produced by others, but do not require such permissions as long as the usage of such materials falls within the boundaries of Fair Use.