Bad mothers, good mothers and professional mothers: a study on narratives on maternity in Spanish Instagram spaces.

Authors

DOI:

https://doi.org/10.15847/obsOBS15220211780

Keywords:

social media, instagram, feminism, motherhood, narratives

Abstract

This paper focuses on an analysis of the narratives present in a set of eight Instagram accounts devoted to sharing information on maternity in the Spanish context. In a qualitative approach that uses participant observation and content analysis (5184 posts), the main objective is to identify the narratives surrounding maternity and to elaborate their relationship with feminist discourses, thus comparing them with previous and current conceptions and representations of motherhood in media. A second aim is to understand the role of information and expertise in these spaces. The results reveal three approaches: affirmative and child-centred narratives, feminist counter-narratives, and discourses on professionalization and authoritative knowledge.

Author Biography

Gemma San Cornelio, Universitat Oberta de Catalunya

Senior Lecturer at the Information and Communication Studies Department at Open University of Catalonia (UOC). Researcher on digitial visual culture and social media, creative praactices and participacion.

Downloads

Published

2021-06-23

How to Cite

San Cornelio, G. (2021). Bad mothers, good mothers and professional mothers: a study on narratives on maternity in Spanish Instagram spaces. Observatorio (OBS*), 15(2). https://doi.org/10.15847/obsOBS15220211780

Issue

Vol. 15 No. 2 (2021)

Section

Articles

License

Observatorio (OBS*) has an academic journal profile. As such, it is dedicated to the open exchange of its contents, and freely available to individuals and institutions without charge or formal permission. Copies of this journal or articles in this journal may be distributed for research or educational purposes free of charge and without permission. Authors will not be charged for publication or submission to this journal. Authors who publish in Observatorio (OBS*) will release their contributions under the Creative Commons Attribution-NonCommercial-2.0 generic. This licence allows anyone to copy and distribute the article for non-commercial purposes provided that appropriate attribution is given - being the author the copyright holder. This journal utilizes the LOCKSS system to create a distributed archiving system among participating libraries and permits those libraries to create permanent archives of the journal for purposes of preservation and restoration. The publisher perpetually authorizes participants in the LOCKSS system to archive and restore our publication through the LOCKSS System for the benefit of all LOCKSS System participants. Specifically participating libraries may: • Collect and preserve currently accessible materials; • Use material consistent with original license terms; • Provide copies to other LOCKSS appliances for purposes of audit and repair. Fair use of a copyrighted work, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include: 1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2. the nature of the copyrighted work; 3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; & 4. the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. In accord with these provisions, the OBS journal believes in the vigorous assertion and defense of Fair Use by scholars engaged in academic research, teaching and non-commercial publishing. Thus, we view the inclusion of “quotations” from existing print, visual, audio and audio-visual texts to be appropriate examples of Fair Use, as are reproductions of visual images for the purpose of scholarly analysis. We encourage authors to obtain appropriate permissions to use materials originally produced by others, but do not require such permissions as long as the usage of such materials falls within the boundaries of Fair Use.