El videoclip materialista en la era digital: de las aproximaciones matéricas a la estética del error

Authors

DOI:

https://doi.org/10.15847/obsOBS15320211738

Keywords:

videoclip, cine materialista, cine matérico, glitch art, era digital

Abstract

El presente artículo es un estudio exploratorio de las aproximaciones materialistas del videoclip desarrolladas durante la década de 2010, herederas de prácticas representativas del cine materialista, el cine matérico y el videoarte. En concreto, la investigación profundiza en las técnicas fundamentales mediante las que el vídeo musical aborda y pone de relieve la naturaleza material de las imágenes fotoquímicas, electrónicas y digitales. Así, a través del trabajo directo sobre celuloide, la alteración de la señal analógica de vídeo o la manipulación de la información visual digital, entre otros recursos, adquieren especial relevancia manifestaciones como el glitch art. Ello intensifica las tensiones existentes entre el valor experimental y la condición de artificio acrítico que con frecuencia acompaña a estas obras; un debate asimismo considerado en este estudio.

Author Biography

Alberto Hermida, Universidad de Sevilla

Profesor Contratado Doctor. Departamento de Comunicación Audiovisual y Publicidad. Facultad de Comunicación. Universidad de Sevilla.

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Published

2021-08-29

How to Cite

Hermida, A. (2021). El videoclip materialista en la era digital: de las aproximaciones matéricas a la estética del error. Observatorio (OBS*), 15(3). https://doi.org/10.15847/obsOBS15320211738

Issue

Vol. 15 No. 3 (2021)

Section

Articles

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