A internet em McLuhan, Baudrillard e Habermas

Authors

  • José Carlos Moreno ISCTE-IUL

DOI:

https://doi.org/10.15847/obsOBS732013697

Keywords:

internet, media, marshal mcluhan, Jean Baudrillard, Jürgen Habermas

Abstract

Habermas, Baudrillard e McLuhan representam três das principais linhas científicas de análise global do fenómeno dos media e da sua interacção com a sociedade. No entanto, qualquer dessas análises é anterior à emergência da internet como meio massivo de distribuição de informação, com as manifestações que conhecemos hoje. O objectivo deste trabalho é analisar de que forma a internet actual se inscreve, ou não, nas teses de cada um desses autores, através do mapeamento das suas teses e das dos seus sucessores; e perceber se as características da internet obrigaram à revisão das teses desses autores, pelos próprios ou pelos seus sucessores. Examinaremos, por ordem cronológica, as teses de Marshal McLuhan, Jean Braudrillard e Jürgen Habermas, confrontaremos as teorias de cada um deles com os desafios que hoje lhes coloca a internet e, por fim, procuraremos tirar conclusões sobre se a manifestação social actual da internet obrigou ou não a uma revisão das teses de cada um.

Author Biography

José Carlos Moreno, ISCTE-IUL

Master Degree Student, Master Communications, Culture and Information Technologies

Downloads

Published

2013-09-17

How to Cite

Moreno, J. C. (2013). A internet em McLuhan, Baudrillard e Habermas. Observatorio (OBS*), 7(3). https://doi.org/10.15847/obsOBS732013697

Issue

Vol. 7 No. 3 (2013)

Section

Articles

License

Observatorio (OBS*) has an academic journal profile. As such, it is dedicated to the open exchange of its contents, and freely available to individuals and institutions without charge or formal permission. Copies of this journal or articles in this journal may be distributed for research or educational purposes free of charge and without permission. Authors will not be charged for publication or submission to this journal. Authors who publish in Observatorio (OBS*) will release their contributions under the Creative Commons Attribution-NonCommercial-2.0 generic. This licence allows anyone to copy and distribute the article for non-commercial purposes provided that appropriate attribution is given - being the author the copyright holder. This journal utilizes the LOCKSS system to create a distributed archiving system among participating libraries and permits those libraries to create permanent archives of the journal for purposes of preservation and restoration. The publisher perpetually authorizes participants in the LOCKSS system to archive and restore our publication through the LOCKSS System for the benefit of all LOCKSS System participants. Specifically participating libraries may: • Collect and preserve currently accessible materials; • Use material consistent with original license terms; • Provide copies to other LOCKSS appliances for purposes of audit and repair. Fair use of a copyrighted work, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include: 1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2. the nature of the copyrighted work; 3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; & 4. the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. In accord with these provisions, the OBS journal believes in the vigorous assertion and defense of Fair Use by scholars engaged in academic research, teaching and non-commercial publishing. Thus, we view the inclusion of “quotations” from existing print, visual, audio and audio-visual texts to be appropriate examples of Fair Use, as are reproductions of visual images for the purpose of scholarly analysis. We encourage authors to obtain appropriate permissions to use materials originally produced by others, but do not require such permissions as long as the usage of such materials falls within the boundaries of Fair Use.